Standing Mirror and Tall Place bookending a beautiful collection of objects. Now on show in a room dedicated to light, colour and perspective at @ngvmelbourne Photo courtesy @ewanmceoin
We have visitors… incredible creatures always welcome #mparntwe
I spend a lot of time in the company of matter. I practice being conscious of its presence and personal story and how to design so that that sentience might be felt. Needless to say I develop relationships with objects. So when they sit in a gallery
Well that’s a lovely email to receive. Thank you @ngvmelbourne for taking these pieces into your keeping. I wonder if my grandchildren will ever come by and see them and whisper ‘my grandmother designed those’… before being h
All those years ago, 1998 as evidenced on the bookshelf, I was enamoured with Design Issues @mitpress Reading about the depth of ideas that design could harness felt like an intellectual banquet. And so, to be featured in their pages 27 (!) years lat
A few weeks in central oz
Last week to see Mythica Ignota at @sophiegannongallery Photos @fistorey Made with @hannahgason @canberraglassworks
Creamy goodness of Time is Queer, Place is present... Gradients reflected. Showing now @sophiegannongallery Made with @canberraglassworks
Living with ‘Invisible Planes’ and ‘Moment as Mirror’. The later shown locally with the legendary @raftartspace and the former at @powerhousemuseum as part of Sydney Design Week with the wonderful @stephen_m_todd “Ther
Waratah Lamps Waratah is a central mythic entity of the Warawana mythologies (see how it's right there in the name). They represent the holding form for all the matter of our planet, here since Earth first pulled itself together. The lamps are an od
A sunny day is the best time to see The Gradients. Drawers that tell the story of giant mythically-scaled colour keepers that we see as sunset and sunrise. There's more to it, but for now, three of these works showing at Sophie Gannon Gallery. 📸 b